Notes: Dunlop developed a very distinct painting technique, often completing entire paintings using his palette knife to apply paint, wet-into-wet, rather than a brush. As a result his paintings have a rich impasto and feel in some way unusually real, immediate almost tangible. This view of St Mary's in Henley accross the river Thames is an unusually large, bravura display of Dunlop's method, dated to the 1950s when he was at the height of his powers.